Showing posts with label Norwegian. Show all posts
Showing posts with label Norwegian. Show all posts

Thursday, August 19, 2010

Jens Bjørneboe.

I have almost finished Bjørneboe’s trilogy Bestialitetens historia, and I thought I would provide you with an extract from the end of it, just like I chose one from the beginning when I started reading the book. The books are great, by the way. For me it's the essence of literature, this is what it should be all about.



Jeg ser meget annet også inne i meg, når jeg ligger sammenkrøllet under teppet, full av sovepiller og alkohol, mens jeg kjenner den milde varmen i kroppen, og vet at bevisstheten ikke lenger er av piggtråd og smerte. Jeg ser meg selv som barn, da jeg drakk vin for første gang og visste at dette, det var min drikk... at den hjalp... lindret... at den var levende vann... tryllevann... Da jeg var eldre, ti år gammel, drakk jeg opp et helt vinanker, mens mine foreldre var bortreist. Jeg hadde mine første hallusinasjoner da; jeg så en løve sitte i min fars lenestol, en stor, gul og prektig løve. Og ved siden av den satt en ung mann i blå skjorte og grå bukser. Stolsetet bøyet seg under vekten av løven. Jeg følte ingen angst hverken for dyret eller for mennesket. Det var tvert imot slik at min vanlige angst var borte, og blodet rant ikke langs vinduspostene og ned på gulvet, og alt var mykt og varmt og stille. Luften mellom gutten og løven og meg var full av blomster og ranker, og når jeg la meg om nettene alene og full, da var jeg ikke redd for mørket, og hylingen fra kattene ute i de våte høstnettene trodde jeg ikke lenger kom fra barn som ble pint. Jeg la meg som nu, med varme og likegladhet i kroppen, med det indre fylt av gode bilder, jeg trakk føttene opp under meg, slik som nu – i fosterstilling – og flettet armene om hverandre, med hendene under armhulene eller i skrittet, og alt var mykhet og mørke og alt var godt, men jeg visste at oppvåkningen kunne bli ond, hvis jeg ikke satte en krukke med avtappet vin ved siden av sengen. Jeg gikk ikke på skole, og jeg ga satan i alle kameratene jeg var redd for og i lærerne som jeg hatet. Jeg drakk av vinen med en gang jeg våknet, og alt var godt.

Hva som skjedde, vet jeg ikke. Men etterpå kom det en tid av den vanlige sorten, hvor mørket var vendt tilbake og hvor skolebøkene var klistret sammen av blod, hvor jeg gråt om natten og drømte at jeg ble jaget ut på bryggen av pøbelen og kastet i oet svarte vannet, som drev av kordonger og fiskekadavere og slim. Det hjalp ikke å holde hendene i skrittet eller under armhulene; kattene i den kalde, svarte haven var ikke lenger katter, men lemlestede bam som gråt... allikevel gikk det forbi, da jeg igjen kom over et større lager med alkohol; jeg blomstret opp og levet igjen som et vanlig bam. Bare da det tok slutt, opplevet jeg noe nytt: for første gang drakk jeg opp min fars barbervann, og han skjønte ikke hvorfor det var blitt borte.

Wednesday, June 30, 2010

Happy reading days.

You are supposed to read in the summer, aren't you? I have recently finished three books: La vie devant soi by Romain Gary, Cat's Cradle by Kurt Vonnegut and Frihetens øyeblikk by Jens Bjørneboe (part one of the trilogy). I recommend all three. The French book is very sweet (see quotes from it in this post), and I really enjoyed it all the way through. It's a lovely book about the "difficult variant" of life seen from the eyes of a child. When he finds out that he isn't really that young, he accordingly starts viewing things differently, just because, and throughout the book you get these wise little insights about just sucking it up and accepting things as they are. When you are used to living in a certain way, you don't perceive yourself as a victim even though others may do so, and I think you should be rather careful about patronizing other people just because you wouldn't be able to handle what they handle daily.

Cat's cradle is a rather absurd book, an insane story about the end of the world, or about two ends of the world. I really like how Vonnegut has just abandoned all rules of probability of such things and has gone ahead and written something that is truly fiction, where anything is allowed. It's a really quick read, and very amusing, and I guess a class on literature could analyze this book to bits. I'm rather curious about Vonnegut's view on religion, because this could be seen as a satire on religion, illustrating how random they are, and how weak human beings are. I guess it could be many things though. I won't speculate any further.

"One of the oldest games there is, cat’s cradle. Even the Eskimos know it.”
“You don’t say.”
“For maybe a hundred thousand years or more, grownups have been waving tangles of string in their children’s faces. “
“Um.”
Newt remained curled in the chair. He held out his painty hands as though a cat’s cradle were strung between them. “No wonder kids grow up crazy. A cat’s cradle is nothing but a bunch of X’s between somebody’s hands, and little kids look and look апd look at all those X’s …”
“And?”
“No damn cat, and no damn cradle.”

I also wanted to provide those who understand any Scandinavian language with an extract from Frihetens Øyeblikk. The book is rather hard to describe, but it's kind of the autobiography of a man who is writing... the history of man, seen in a different light. He keeps a "protocol" (on everything) when he is sober enough to know what he is doing while traveling around the world (or Europe) - he sees things and he notes things down. The book is mostly just bits and pieces of his experience of the world, of his alcoholism, of the people he meets, of the stories he hears and in general bits and pieces of the awful nature of men. This extract is from the beginning of the book, and I find it absolutely excellent. It really illustrates the rest of the book.

---

Folket her i dalen kan neppe sies å være oppfylt av Den Hellige Ånd. Under synet av de umåtelige fjelltoppene og de evige snebreene har de ikke vokset til storhet. De tenker ikke vidsynte og klare tanker. Folket her, i landsbyene, i dalen eller nede på vertshuset hvor jeg vanker og drikker mine daglige glemselens glass,- det er et folk uten sang, uten folklore, musikk, dans. De har sine kapeller, men ingen religion. Samtidig er de på sin måte skarpsindige, nesten intelligente. De er listige. De bor i sin dal, og de har fjellene og evigheten omkring seg. Av og til tenker de. Man kan se det på øynene deres. Da regner de. De legger sammen eller subtraherer i hodet. De aller listigste multipliserer eller kan til og med dividere. Folket her er sant å si – ja, for å si sannheten: på sett og vis, delvis, på sin måte, og til en viss grad, temmelig lemurisk.
Når de leser, da er det ikke Kabbala eller Vedaene eller salmer de studerer. De leser sine bankbøker. Eller til nød sine lover, - for å vite hva de kan tillate seg mot sin nabo. Alle er i strid med alle, men allikevel holder de på en underlig måte sammen. Det er et lemurisk samhold. De har frembragt dommere og til og med leger. For ikke å nevne overingeniører. Men de hviler ikke ut ved å lese Dante.

Som sagt har de ingen folklore.

Allikevel – de er med på å opprettholde verdens likevekt og be- stand. De er en flokk små, lodne bjørner.

Det finnes absolutt ingen uskyld i dem. De er istand til å gjøre hva som helst mot et medmenneske. Samtidig er de veldige skiløpere, og om vinteren lar de seg trekke oppfor fjellsidene med stålwirer, høyt opp, - derpå sklir de nedfor fjellsidene helt til bunnen av dalen. Dette gjør de om igjen og om igjen. De holder på i uker og måneder – opp og ned – opp og ned. Og de har sin glede av det, men de er ikke glade.

---

I also thought I should provide a quote from the German book I'm reading, Feuchtgebiete by Charlotte Roche, just to illustrate the difference in genre.

Ich würde mit jedem Idioten ins Bett gehen, damit ich nicht alleine im Bett sein oder sogar eine ganze lange Nacht alleine schlafen muss. Jeder ist besser als keiner.

Tuesday, June 8, 2010

Ça a l'air très bien.

Même si je lis déjà trois ou quatre livres, j'ai commencé un nouveau aujourd'hui. Il me fallait quelque chose des léger, littéralement quelque chose qui ne pesait pas très lourd parce que je voulais le lire dans la baignoire. Donc j'ai choisi un petit livre de poche que j'ai acheté en France il y a cinq ans, La Vie Devant Soi de Romain Gary (un russe qui est venu en France à l'âge de 14 ans en 1914). J'en suis déjà très enchantée ! C'est un livre marrant, et déjà sur les premières pages, j'ai trouvé tout cela :

(Le livre commence avec l'histoire d'un enfant de six ou sept ans, et la langue reflète cela. Il vit chez Madame Rosa avec six autres enfants, pour la plupart des enfants de prostituées.)

Je devais avoir trois ans quand j'ai vu Madame Rosa pour la première fois. Avant, on n'a pas de mémoire et on vit dans l'ignorance. J'ai cessé d'ignorer à l'âge de trois ou quatre ans et parfois ça me manque.

...

Monsieur Hamil a de beaux yeux qui font du bien autour de lui. Il était déjà très vieux quand je l'ai connu et depuis il n'a fait que vieillir.

...

Pendant longtemps, je n'ai pas su que j'étais arabe parce que personne ne m'insultait. On me l'а seulement appris à l'école.

...

— Tu sais ce que c'est, une putain ?
— C'est des personnes qui se défendent avec leur cul.
— Je me demande où tu as appris des horreurs pareilles, mais il y a beaucoup de vérité dans ce que tu dis.
— Vous aussi, vous vous êtes défendue avec votre cul. Madame Rosa, quand vous étiez jeune et belle ?
Elle a souri, ça lui faisait plaisir d'entendre qu'elle avait été jeune et belle.

...

Il y avait sur le trottoir d'en face un môme qui avait un ballon et qui m'avait dit que sa mère venait toujours quand il avait mal au ventre. J'ai eu n al au ventre mais ça n'a rien donné et ensuite j'ai eu des convulsions, pour rien aussi. J'ai même chié partout dans l'appartement pour plus de remarque. Rien. Ma mère n'est pas venue et Madame Rosa m'a traité de cul d'Arabe pour la première fois, car elle n'était pas française. Je lui hurlais que je voulais voir ma mère et pendant des semaines j'ai continué à chier partout pour me venger. Madame Rosa a fini par me dire que si je continuais c'était l'Assistance publique et là j'ai eu peur, parce que l'Assistance publique c'est la première chose qu'on apprend aux enfants. J'ai continué à chier pour le principe mais ce n'était pas une vie. On était alors sept enfants de putes en pension chez Madame Rosa et ils se sont tous mis à chier à qui mieux mieux car il n'y a rien de plus conformiste que les mômes et il y avait tant de caca partout que je passais inaperçu là-dedans.

...

Sinon, je suis en train de lire un livre norvégien, un genre de de livre-culte qui a rencontré des problèmes quand il (en fait c'est une trilogie, mais bon...) est sorti dans les années 60. La trilogie s'appelle « L'Histoire De La Bestialité » (auteur: Jens Bjørneboe) et jusque-là, ça parle de la nature des « petits ours », c'est-à-dire des humains, et c'est pas beau ! Par contre, c'est plutôt génial ;)

Monday, June 7, 2010

Reprise.


The other day I saw a movie that I liked very much on Swedish television. It was the Norwegian movie "Reprise", and unfortunately I missed the beginning. It's a movie about a group of young, intellectual men, and their attempts at writing literature and living in general. One of them (who could perhaps be called the main main character, out of two) writes a book that gets published and is declared a genius, but then meets a girl, and when falling in love with her, his mental breakdown is triggered. This is kind of the background setting for the development of the other main character as well, who strives to get published and still be supportive of his friend.

I was very impressed with this movie. It's delightfully made, the actors are great and the excellent narrative technique even adds a bit humor every once in a while, even though this is a rather sad movie. Still, it's not a depressing one, and it's actually hard to actually say what kind of movie it is. I found it to be uplifting and inspiring, but I suspect not everyone would share that opinion.

One of the characters I especially liked was the very serious and super intellectual Hitler Jugend looking Lars (who is later in the movie nicknamed "Porn-Lars", which is just incredibly perfect since it clashes completely with the nature of his character) who thinks that women are unable of intellectual achievements, that they are just creatures that can be filled up with knowledge by men, but can never think anything up on their own. His comment about how women in the eastern part of Oslo (the poorer part where all the immigrants live, and kind of where I live as well) at least acknowledge their inferiority and don't pretend to participate in the conversations of the "grown-ups" is excellent.

Here is an article about the movie (in Norwegian) and a scene from it.

Everyone with an interest in "intellectual" movies, that is slow ones without any extreme drama or action, should definitely watch this one. It kind of made me think of a book that I (along with everyone who has ever read it I guess) am a huge fan of: The Secret History by Donna Tartt. Are there any other books or movies that deal with groups of intellectual (and sometimes decadent) young people?

Thursday, December 10, 2009

Я свободна!

I have no more exams, I am free for quite a long time, and naturally I should make as good use as possible of that time. I have many plans, probably way too many. As usual.

Yesterday I started reading another Norwegian book, or rather a book in Norwegian, Døren by Magda Szabó. The original is Hungarian, and I thought I should get some more exposure to Hungarian literature without necessarily waiting to read it in Hungarian. I very recently finished Jeg skal vise dere frykten by Nikolaj Frobenius, which I liked, but I was not absolutely thrilled about it. I fell in love with this new book from the first couple of pages though, so all is looking good.

But there are more books, there always are.

I am also going to start reading Russland og russere, Russia and Russians, a book about... well it's rather obvious. I am very much looking forward to it, since I usually like these kinds of books very much. Shortly I will make a post on books on culture that I have found very useful. It's also in Norwegian, which is great since this gives me increased literary Norwegian influence.

Furthermore, I am taking a class on the history of nationalism this spring at a Swedish University, and I plan to at least skim through the two books I have ordered for it. There are three books on the curriculum, but the third one was sold out, which is a bit troublesome. Swedish books! Or at least one of them was Swedish...

Russian then? Of course, there's always a Russian book! I started reading Dostoyevsky's Бедные Люди (Poor Folks) the day before yesterday. It's very short; I have already read 13% of it on my Kindle, and I am looking forward to reading the rest! I really wanted to read the Brothers Karamazov or the Idiot, but I didn't feel like starting on a huge book just yet.

Finally, I also have ambitious plans about reading a little bit of Anne az élet iskolájában (L.M. Montgomery). I really don't have any idea about how much comprehension I am aiming at and what degree of dictionary use I am going to allow myself. I am really going to try to read it in a highly relaxed way and tried to get through as many pages as possible instead of as many understood words as possible.

And I am very well aware that French is missing. I will see if that can't be fixed.

I would say those are my reading plans for Christmas. Add to that ambitious grammar study and big amounts of wine and chocolate. And ridiculous amounts of Christmas cookies when I go home to Sweden, cause you know... mothers and so on...

Monday, July 20, 2009

Charming ladies back in the days.

I have spoken about Peer Gynt earlier on this blog, but now I have actually started reading it together with my boyfriend. Parts of it are just excellent.

-- Peer is trying to seduce the woman in green, the daughter of the mountain king. --

(En grennkledd kvinne går i lien. Peer Gynt folger efter under alle slags forelskede fakter.)

DEN GRØNNKLEDDE (stanser og vender seg). Ег det sant?

PEER GYNT (skjærer med fingeren over strupen). Så sant som jeg heter Peer; -
Så sant som du er en deilig kvinne!
Vil du ha meg? Du skal se hvor fint jeg meg ter;
Du skal hverken trede veven eller spinne.
Mat skal du få så du er ferdig å sprekke.
Aldri skal jeg deg i håret trekke – (I'm never going to pull your hair)

DEN GRØNNKLEDDE. Ikke slå meg heller? (And not beat me either?)

PEER GYNT. Nei, var det likt?
Vi kongssønner slår ikke kvinnfolk og slikt.

DEN GRØNNKLEDDE. Ег du kongssønn?

PEER GYNT. Ja.

DEN GRØNNKLEDDE. Jeg ег Dovrekongens datter.

PEER GYNT. Er du det? Se, se; det treffer jo godt.

DEN GRØNNKLEDDE. Inne i Ronden har far min sitt slott.

PEER GYNT. Da har mor min et større så vidt jeg fatter.

DEN GRØNNKLEDDE. Kjenner du far min? Han heter kong Brose.

PEER GYNT. Kjenner du mor min? Hun heter dronning Åse.

DEN GRØNNKLEDDE. Når far min er sint, så sprekker fjelle.

PEER GYNT. De raper bare mor min tar på å skjelle.


This is some of the accompanying music by Grieg.



-- Peer is talking to the Mountain King who has agreed to give him his daughter. The King wants Peer to lay off his Christian clothing and wear a tail. --


DOVREGUBBEN. Demest må du kaste dine kristenmannskleder ;
Ti det skal du vite til vårt Dovres heder:
Her er allting fjellvirket, ingenting fra dalen,
unntagen silkesløyfen ytterst på halen.

PEER GYNT (vred). Jeg har ingen hale!

DOVREGUBBEN. Så kanst du få.
Hofftroll, bind ham min søndagshale på.

PEER GYNT. Nei, om du får! Vil I gjøre meg
Til nar?

DOVREGUBBEN. Beil aldri til datter min med
Baken bar. (Never propose to my daugther with a bare rear end.)

PEER GYNT. Gjøre menneske til dyr!

DOVREGUBBEN. Min sønn, du feiler;
Jeg gjør deg bare til en høvelig beiler.
Du skal få en branngul sløyfe å bære.
Og det gjelder her for den høyeste ære.

PEER GYNT (betenksomt).
Der sies jo mennesket er kun et fnug.
Og litt får en lempes efter skikk og brug.
Bind vekk!

DOVREGUBBEN. Du est еn medgjørlig fyr.

HOFFTROLLET. Prøv nu hvor fint du каn svanse
Og svinge !

PEER GYNT (arrig).
Hå, vil I ennu til mere meg tvinge?
Krever I også min kristenmanns-tro? (Do you also demand my Christian faith?)

DOVREGUBBEN. Nei, den kan du gjerne beholde
I ro.
Troen går fritt; den legges ingen toll på;
Det er skorpen og snittet en skal kjenne et troll på.
Ваге vi er ens i lader og kledsel,
Kan du gjerne kalle tro hva vi kaller redsel. (As long as we are the same in manners and dress you are free to call faith what we call fear.)